Christo and jean claude cultural studies essay

Christo, born Christo Vladimiroff Javacheff, attended the art academy in Sofia as a youth, trained in the Socialist Realist aesthetic of the era. Christo first began wrapping small objects, such as cans, books, and furniture, in the early s, and then expanded his production to include crates, cars, and bicycles.

Christo and jean claude cultural studies essay

Christo and jean claude cultural studies essay

Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood. Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived.

For Christmas inCalder presented his parents with two of his first sculptures, a tiny dog and duck cut from a brass sheet and bent into formation.

The duck is kinetic—it rocks back and forth when tapped. Even at age eleven, his facility in handling materials was apparent. Despite his talents, Calder did not originally set out to become an artist.

He instead enrolled at the Stevens Institute of Technology after high school and graduated in with an engineering degree. Calder worked for several years after graduation at various jobs, including as a hydraulics and automotive engineer, timekeeper in a logging camp, and fireman in a ship's boiler room.

While serving in the latter occupation, on a ship from New York bound for San Francisco, Calder awoke on the deck to see both a brilliant sunrise and a scintillating full moon; each was visible on opposite horizons the ship then lay off the Guatemalan coast.

The experience made a lasting impression on Calder: Calder committed to becoming an artist shortly thereafter, and in he moved to New York and enrolled at the Art Students League.

He also took a job illustrating for the National Police Gazette, which sent him to the Ringling Bros. The circus became a lifelong interest of Calder's, and after moving to Paris inhe created his Cirque Calder, a complex and unique body of art. The assemblage included diminutive performers, animals, and props he had observed at the Ringling Bros.

Fashioned from wire, leather, cloth, and other found materials, Cirque Calder was designed to be manipulated manually by Calder. Every piece was small enough to be packed into a large trunk, enabling the artist to carry it with him and hold performances anywhere.

Its first performance was held in Paris for an audience of friends and peers, and soon Calder was presenting the circus in both Paris and New York to much success. Calder's renderings of his circus often lasted about two hours and were quite elaborate.

Indeed, the Cirque Calder predated performance art by forty years. Calder found he enjoyed working with wire for his circus. He soon began to sculpt from this material many portraits of his friends and public figures of the day. Word traveled about the inventive artist, and in Calder was given his first solo gallery show at the Weyhe Gallery in New York.

This exhibition was soon followed by others in New York, Paris, and Berlin; as a result, Calder spent much time crossing the ocean by boat. He met Louisa James a grandniece of writer Henry James on one of these steamer journeys and the two were married in January In October ofCalder visited the studio of Piet Mondrian in Paris and was deeply impressed by a wall of colored paper rectangles that Mondrian continually repositioned for compositional experiments.

He recalled later in life that this experience "shocked" him toward total abstraction. For three weeks following this visit, he created solely abstract paintings, only to discover that he did indeed prefer sculpture to painting.

In the fall ofa significant turning point in Calder's artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art. The first of these objects moved by systems of cranks and motors, and were dubbed "mobiles" by Marcel Duchamp—in French mobile refers to both "motion" and "motive.

Arp, in order to differentiate Calder's non-kinetic works from his kinetic works, named Calder's stationary objects "stabiles.

Calder converted an icehouse attached to the main house into a studio. Their first daughter, Sandra, was born inand a second daughter, Mary, followed in He also began his association with the Pierre Matisse Gallery in New York with his first show in James Johnson Sweeney, who had become a close friend, wrote the catalogue's preface.

Calder also constructed sets for ballets by both Martha Graham and Eric Satie during the s, and continued to give Cirque Calder performances.

Christo and Jeanne-Claude, The Gates (article) | Khan Academy

Calder's earliest attempts at large, outdoor sculptures were also constructed in this decade. These predecessors of his later imposing public works were much smaller and more delicate; the first attempts made for his garden were easily bent in strong winds.Christo and Jeanne-Claude have already spent more than $6 million on environmental studies, design engineering, and wind-tunnel testing of fabrics.

As with past projects, Over The River would be financed entirely by Christo and Jeanne-Claude, through the sale of Christo’s preparatory drawings, collages, scale models, and early works of the. BIOGRAPHY. Alexander Calder was born in , the second child of artist parents—his father was a sculptor and his mother a painter.

Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood.

Official website of artists Christo and Jeanne-Claude. Features photographs and texts about completed projects and works in progress. Includes biographical and bibliographical information as well as virtual tours, videos and news. Official website of artists Christo and Jeanne-Claude.

199 LONG STREET, CAPE TOWN 8001, SOUTH AFRICA

Features photographs and texts about completed projects and works in progress. Life and Work. Previous Image; Next Image; where he studies one semester at the Academy of Fine Arts.

In October, he moves to Geneva, Switzerland. In March, Christo arrives in Paris, where he meets. Technology In Action, Introductory - United States Edition, Alan Evans, Mary Anne Poatsy, Kendall Martin A Survey of Worcestershire by Thomas Habington V2 (), Thomas Habington, John Amphlett Four Freedoms Trimmers, School Specialty Publishing, Carson Dellosa Publishing.

Born in the Bronx, New York, to Finnish parents. In fought in the Spanish Civil War, one of two Americans chosen to lead guerrilla warfare behind Franco's lines.

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